By James Duncan, Nuala Johnson, Richard Schein
A better half to Cultural Geography brings jointly unique contributions from forty unusual overseas students to supply a severe assessment of this dynamic and influential box of research.
The quantity starts off by way of charting the main major adjustments in cultural geography within the 20th century earlier than occurring to introduce the central techniques animating paintings within the box this present day. those theoretical ways are then grounded in a chain of essays at the significant thematic parts to which cultural geographers have contributed ---nature, id, panorama, colonialism, and post-colonialism.
The spouse can be a useful source not only for geographers but in addition for these operating in allied fields who search a transparent figuring out of the contribution that geography is making to cross-disciplinary debates.
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Extra resources for A Companion to Cultural Geography (Blackwell Companions to Geography)
CULTURAL TURNS 25 In what follows, I do not intend to dwell further on a discussion of cultural geography’s genealogies, as this has been well-rehearsed elsewhere (see Jackson 1989; Mitchell 2000). Instead, I provide a brief sketch of the directions that geography’s cultural turn has taken over the past decade or so, and then engage in a lengthier discussion of current developments, although for reasons of space and the sheer volume of the literature, I cannot hope to provide a comprehensive survey.
Ucko & Layton 1999; Bradley 2000), cultural geography appears to be meeting them halfway in its present emphasis on the materiality of landscapes. At the same time, the prominence of actor-network theory in cultural geography is mirrored by new archaeological concerns for rethinking traditional divisions between human bodies and material things, and for constructing “a framework that acknowledges objects as a creative part of social life” (Gosden 2001: 164). Despite cultural geography’s growing involvement in such disciplinary transgressions and intertwinings, it may still be pertinent to question the extent to which it has really succeeded in overcoming other, no less traditional boundaries.
And published” (Thrift 2000: 1). While such charges are worth heeding, they are nonetheless guilty, I would argue, of frequent exaggeration and simplification. 5 Despite the prominence of doubts and criticisms, cultural geographers continue to turn their attention to new areas of study with undiminished enthusiasm. However, the value of current work lies less in the subject-matter of new additions to a potentially infinite ‘shopping-list’ of topics that may be acquired for the field’s consumption, but rather, I would suggest, in the ways in which cultural geography is being carried out and in the nature of its relationship with other areas of scholarship.
A Companion to Cultural Geography (Blackwell Companions to Geography) by James Duncan, Nuala Johnson, Richard Schein
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