By Kayano Shigeru, Peter Howlett, Richard McNamara, Iijima Shunichi

Grade 3-6
The Ainu: a narrative Of Japans unique humans by way of Kayano Shigeru is an soaking up account of Japans indigineous humans, whose legends and presence stretch again earlier than the arrival of the ethnic jap inhabitants earlier than recorded historical past from what's referred to now because the chinese language mainland and the Korean penninsula. proposing either the original features of Ainu tradition and the trendy realities of the way Ainu dwell at the present time in an easy and pleasant tone with tender but practical colour illustrations, The Ainu: a narrative Of Japans unique humans is particularly hugely suggested.

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Extra info for Ainu A Story of Japan's Original People

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Indb 24 5/1/06 7:54:53 AM Beginning to Theorize Adaptation 25 of a stranger, one Leonard Bast, who will play an important part in the rest of her life and, indeed, in the rest of the novel. What happens when this told scene is transposed to the showing mode—in this case, to film—in the Merchant/Ivory production adapted by Ruth Prawer Jhabvala? The concert, in a sense, remains, but Helen attends alone. It is not a full orchestral concert this time, but a four-handed piano performance, accompanying a lecture on Beethoven’s Fifth Symphony.

In both, the novelty is in what one does with the other text. Indeed, for “Longinus,” imitatio went together with aemulatio, linking imitation and creativity (Russell 1979: 10). Perhaps one way to think about unsuccessful adaptations is not in terms of infidelity to a prior text, but in terms of a lack of the creativity and skill to make the text one’s own and thus autonomous. indb 20 5/1/06 7:54:53 AM Beginning to Theorize Adaptation 21 For the reader, spectator, or listener, adaptation as adaptation is unavoidably a kind of intertextuality if the receiver is acquainted with the adapted text.

Technology, too, has probably always framed, not to mention driven, adaptation, in that new media have constantly opened the door for new possibilities for all three modes of engagement. Lately, new electronic technologies have made what we might call fidelity to the imagination—rather than a more obvious fidelity to reality—possible in new ways, well beyond earlier animation techniques and special effects. We can now enter and act within those worlds, through 3-D digital technology. One of the central beliefs of film adaptation theory is that audiences are more demanding of fidelity when dealing with classics, such as the work of Dickens or Austen.

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Ainu A Story of Japan's Original People by Kayano Shigeru, Peter Howlett, Richard McNamara, Iijima Shunichi


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