By Steven Blush

ISBN-10: 0922915717

ISBN-13: 9780922915712

"American Hardcore units the checklist instantly in regards to the final nice American subculture"—Paper magazine

Steven Blush's "definitive therapy of Hardcore Punk" (Los Angeles instances) replaced the best way we glance at Punk Rock. The Sony photograph Classics–distributed documentary American Hardcore premiered on the 2006 Sundance movie competition. This revised and multiplied moment variation includes hundreds of thousands of latest bands, thirty new interviews, flyers, a brand new bankruptcy ("Destroy Babylon"), and a brand new artwork gallery with over a hundred twenty five infrequent images and pictures.

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Extra resources for American Hardcore: A Tribal History

Sample text

They do so, though, not by replacing old media. Rather, what we have is a process of co-evolution, including the development of a variety of new inter-relationships. While old media are refunctionalized/repurposed, they are also influential actors in the development of Internet forms. An implication is that existing cultural and social processes – not least those inherited in existing media systems – may lead to the development of varied forms for the integration and utilization of the Internet in different cultures (Finnemann 2006).

His argument concerns how the Internet contributes to a change in the overall media system through the ‘coexistence’ of paid and unpaid news and other content; ‘individualization and globalized reach’; and public spaces fragmented according to specialized, professionalized and individualized needs and interests (Finnemann 2006). Case study Finnemann’s review of theories of relations between old and new media Reviewing a number of theories dealing with the relations between old and new media, which assumes a wider diversity than the term convergence often implies, Niels Finnemann has usefully distinguished a series of theories in four principal clusters: 1.

It’s probably worth delving into some history to reflect on this question. Convergence, as Jenkins notes, was used as early as 1983 by Ithiel de Sola Pool (in Technologies of Freedom) to describe a force of change in media industries: A process called the ‘convergence of modes’ is blurring the lines between media, even between point-to-point communications, such as the post, telephone and telegraph, and mass communications, such as the press, radio, and television. A single physical means – be it wires, cables or airwaves – may carry services that in the past were provided in separate ways.

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American Hardcore: A Tribal History by Steven Blush


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